

#Dickon the Devil


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Dickon the Devil
================


Author: Joseph Sheridan Le Fanu
-------------------------------


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Writers of Ireland II ProjectElectronic edition compiled by Beatrix Färber

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#### Notes

*Dickon the Devil* was first published in
December 1872 in the *London Society
Magazine*.

#### Sources


**Editions**2. Joseph Sheridan Le Fanu, Madam Crowl's Ghost and
other Tales of Mystery, collected and edited by M.R. James, London: G.
Bell & Sons Limited, 1923.
3. Joseph Sheridan Le Fanu, Ghost Stories and
Mysteries, selected and edited by E. F. Bleiler, New York: Dover
Publications, 1975.
4. Joseph Sheridan Le Fanu, Dickon the Devil, The
collected works of Joseph Sheridan Le Fanu, 3 volumes; introduction by
Sir Devendra P. Varma, New York: Arno Press 1977. [Facsimile reprint
of 1871 edition.]
**Literature**2. W. S. Trench, Realities of Irish Life, London
1869.
3. [Anon.], The late J. Sheridan Le Fanu, Irish
Builder 15 (February 1873) 50.
4. [Anon.], Joseph Sheridan Le Fanu, Dublin
University Magazine 81 (March 1873) 319–320.
5. William Richard Le Fanu, Seventy Years of Irish
Life, London 1893.
6. [Anon.], Memoirs of Father Healy of Little Bray,
London 1895.
7. S. M. Ellis, Bibliography of Joseph Sheridan Le
Fanu, Irish Book Lover 8 (October–November 1916)
30–33.
8. Thomas Philip Le Fanu, Memoir of the Le Fanu
Family, Manchester [1924].
9. Edna Kenton, A Forgotten Creator of Ghosts:
Joseph Sheridan Le Fanu. Possible Inspirer of the Brontes, Bookman
(July 1929).
10. S. M. Ellis, Wilkie Collins, Le Fanu, and
others, London 1931.
11. V. S. Pritchett, The living novel, London:
Chatto and Windus 1946.
12. Elizabeth Bowen, Collected Impressions, London
1950.
13. Nelson Browne, Sheridan Le Fanu, English
Novelists Series, London 1951.
14. Michael Sadleir, XIX Century Fiction: A
Bibliographical Record based on his own Collection, 2 volumes, London
1951.
15. A. B. Wright, The Life and Novels of Joseph
Sheridan Le Fanu, unpubl. B.A. thesis, Trinity College, Dublin
1952.
16. Peter Penzoldt, The Supernatural in Fiction,
New York: Humanities Press 1952.
17. Walter E. Houghton, The Victorian Frame of Mind
1830–1870, New Haven, London 1957.
18. Walter Allen, The English Novel: a Short
Critical History, Harmondsworth 1958.
19. Thomas Flanagan, The Irish Novelists
1800–1850, New York 1959.
20. György Lukács (Georg Lukacs), The
historical novel. Translated from the German by Hannah and Stanley
Mitchell. Atlantic Highlands, New Jersey: Humanities 1962.
21. Patrick Diskin, Poe, Le Fanu and the Sealed
Room Mystery, Notes and Queries (new. ser.) 13 (Sept. 1966)
337–339.
22. Wilbur J. Smith, 'Le Fanu's *Ghost
Stories* Dublin 1851, Book Collector 17 (1968) 78.
23. Michael H. Begnal, Joseph Sheridan Le Fanu,
Irish Writers Series, Bucknell University Press 1971.
24. Malcolm Brown, The Politics of Irish Literature
from Thomas Davis to W. B. Yeats, London 1972.
25. Patrick F. Byrne, Joseph Sheridan Le Fanu: a
Centenary Memoir, Dublin Historical Record, 26/3 (June 1973)
80–92.
26. W. J. McCormack, 'Joseph Sheridan Le Fanu and
the Fiction of the Anglo-Irish Ascendancy of the Nineteenth Century',
unpubl. D. Phil. thesis, University of Ulster 1974.
27. E. F. Bleiler, 'Introduction' to J.S. Le Fanu:
Ghost Stories and Mysteries, New York 1975, v–ix.
28. J. C. Beckett, The Anglo-Irish Tradition,
London 1976.
29. Julia Briggs, Night Visitors: The Rise and Fall
of the English Ghost Story, London: Faber 1977.
30. Jack Sullivan, Elegant Nightmares: The English
Ghost Story from Le Fanu to Blackwood. Athens, Ohio: Ohio University
Press 1978.
31. W. J. McCormack, Sheridan Le Fanu and Victorian
England, Oxford, Clarendon Press 1980. [repr. 1997 as 'Sheridan Le
Fanu'.]
32. Joseph Browne, 'Ghosts and Ghouls and Le Fanu',
Canadian Journal of Irish Studies 8 (1982) 5-15.
33. W. J. McCormack, Dissolute Characters: Irish
Literary History through Balzac, Sheridan Le Fanu, Yeats, and Bowen.
Manchester University Press, 1983.
34. Ivan Melada, Sheridan Le Fanu, Twayne English
Authors Series, Twayne 1987.
35. Jolanta Nal^wcz-Wojtczak, 'Joseph
Sheridan Le Fanu and New Dimensions for the English Ghost Story', in:
Wolfgang Zach and Heinz Kosok (eds.), Literary Interrelations:
Ireland, England and the World, vol. 2, Tübingen: Günter
Narr 1987.
36. Victor Sage, Horror Fiction in the Protestant
Tradition, London: Macmillan 1988.
37. Patricia Coughlan, 'Doubles, Shadows,
Sedan-Chairs and the Past: The Ghost Stories of J.S. Le Fanu', in:
Michael Allen and Angela Wilcox (eds.), Critical Approaches to
Anglo-Irish Literature, Gerrards Cross, Bucks. 1989.
38. Gary William Crawford, J. Sheridan Le Fanu: A
Bio-Bibliography, Bio-Bibliographies in World Literature Series,
Greenwood Press, Westport, CT 1995.
39. Marie Mulvey-Roberts (ed.), The handbook to
Gothic literature, Basingstoke, Hampshire: Macmillan 1998.
40. Margot Gayle Backus, The Gothic family romance:
heterosexuality, child sacrifice, and the Anglo-Irish colonial order.
Durham, North Carolina: Duke University Press, 1999.
41. Victor Sage, 'Resurrecting the Regency: Horror
and Eighteenth Century Comedy in Le Fanu's Fiction' in: Ruth Robbins
and Julian Wolfreys (eds.), Victorian Gothic: Literature and Cultural
Manifestations in the Nineteenth Century. Palgrave Macmillan 2000:
12–30.
42. Michael Charlesworth (ed.), The Gothic revival,
1720–1870: literary sources & documents. 3 Volumes. The
Banks, Mountfield, East Sussex, U.K.: Helm Information, 2002.
43. Victor Sage, Le Fanu's Gothic: the rhetoric of
darkness. New York: Palgrave Macmillan 2003.
44. Françoise Dupeyron-Lafay, La Paysage
dans quelques oeuvres de J. S. Le Fanu, in: Imaginaires: Revue du
Centre de Recherche sur l'Imaginaire dans les Littératures de
Langue Anglaise 5 (2000) 67–78.
**The edition used in the digital edition**2. Madam Crowl's Ghost and other Mystery
Stories. Joseph Sheridan Le Fanu Reprint [1 volume; viii + 277pp] G. Bell & Sons LimitedLondon (1923)

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Created: By J. S. Le Fanu (1872) #### Use of language


##### Language: [EN] The text is in English.


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#### Corpus of Electronic Texts Edition: E870000-009


### Dickon the Devil: Author: Joseph Sheridan Le Fanu




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p.60


About thirty years ago I was selected by two rich old maids to visit a property in that part of Lancashire which lies near the famous forest of Pendle, with which Mr. Ainsworth's Lancashire Witches has made us so pleasantly familiar. My business was to make partition of a small property, including a house and demesne, to which they had a long time before succeeded as co-heiresses.


The last forty miles of my journey I was obliged to post, chiefly by cross-roads, little known, and less frequented, and presenting scenery often extremely interesting and pretty. The picturesqueness of the landscape was enhanced by the season, the beginning of September, at which I was travelling.


I had never been in this part of the world before; I am told it is now a great deal less wild, and, consequently, less beautiful.


At the inn where I had stopped for a relay of horses and some dinner—for it was then past five o'clock—I found the host, a hale old fellow of five-and-sixty, as he told me, a man of easy and garrulous benevolence, willing to


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 accommodate his guests with any amount of talk, which the slightest tap sufficed to set flowing, on any subject you pleased.


I was curious to learn something about Barwyke, which was the name of the demesne and house I was going to. As there was no inn within some miles of it, I had written to the steward to put me up there, the best way he could, for a night.


The host of the ‘Three Nuns’, which was the sign under which he entertained wayfarers, had not a great deal to tell. It was twenty years, or more, since old Squire Bowes died, and no one had lived in the Hall ever since, except the gardener and his wife.


‘Tom Wyndsour will be as old a man as myself; but he's a bit taller, and not so much in flesh, quite,’ said the fat innkeeper.


‘But there were stories about the house,’ I repeated, ‘that they said, prevented tenants from coming into it?’


‘Old wives' tales; many years ago, that will be, sir; I forget 'em; I forget 'em all. Oh yes, there always will be, when a house is left so; foolish folk will always be talkin'; but I hadn't heard a word about it this twenty year.’


It was vain trying to pump him; the old landlord of the ‘Three Nuns’, for some reason, did not choose to tell tales of Barwyke Hall, if he really did, as I suspected, remember them.


I paid my reckoning, and resumed my journey, well pleased with the good cheer of that old-world inn, but a little disappointed.


We had been driving for more than an hour, when we began to cross a wild common; and I knew that, this passed, a quarter of an hour would bring me to the door of Barwyke Hall.




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The peat and furze were pretty soon left behind; we were again in the wooded scenery that I enjoyed so much, so entirely natural and pretty, and so little disturbed by traffic of any kind. I was looking from the chaise-window, and soon detected the object of which, for some time, my eye had been in search. Barwyke Hall was a large, quaint house, of that cage-work fashion known as ‘black-and-white’, in which the bars and angles of an oak framework contrast, black as ebony, with the white plaster that overspreads the masonry built into its interstices. This steep-roofed Elizabethan house stood in the midst of park-like grounds of no great extent, but rendered imposing by the noble stature of the old trees that now cast their lengthening shadows eastward over the sward, from the declining sun.


The park-wall was grey with age, and in many places laden with ivy. In deep grey shadow, that contrasted with the dim fires of evening reflected on the foliage above it, in a gentle hollow, stretched a lake that looked cold and black, and seemed, as it were, to skulk from observation with a guilty knowledge.


I had forgot that there was a lake at Barwyke; but the moment this caught my eye, like the cold polish of a snake in the shadow, my instinct seemed to recognise something dangerous, and I knew that the lake was connected, I could not remember how, with the story I had heard of this place in my boyhood.


I drove up a grass-grown avenue, under the boughs of these noble trees, whose foliage, dyed in autumnal red and yellow, returned the beams of the western sun gorgeously.


We drew up at the door. I got out, and had a good look at the front of the house; it was a large and melancholy mansion, with signs of long neglect upon it; great



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 wooden shutters, in the old fashion, were barred, outside, across the windows; grass, and even nettles, were growing thick on the *court-yard*, and a thin moss streaked the timber beams; the plaster was discoloured by time and weather, and bore great russet and yellow stains. The gloom was increased by several grand old trees that crowded close about the house.


I mounted the steps, and looked round; the dark lake lay near me now, a little to the left. It was not large; it may have covered some ten or twelve acres; but it added to the melancholy of the scene. Near the centre of it was a small island, with two old ash trees, leaning toward each other, their pensive images reflected in the stirless water. The only cheery influence in this scene of antiquity, solitude, and neglect was that the house and landscape were warmed with the ruddy western beams. I knocked, and my summons resounded hollow and ungenial in my ear; and the bell, from far away, returned a deep-mouthed and surly ring, as if it resented being roused from a score years' slumber.


A light-limbed, jolly-looking old fellow, in a barracan jacket and gaiters, with a smile of welcome, and a very sharp, red nose, that seemed to promise good cheer, opened the door with a promptitude that indicated a hospitable expectation of my arrival.


There was but little light in the hall, and that little lost itself in darkness in the background. It was very spacious and lofty, with a gallery running round it, which, when the door was open, was visible at two or three points. Almost in the dark my new acquaintance led me across this wide hall into the room destined for my reception. It was spacious, and wainscoted up to the ceiling. The furniture of this capacious chamber was old-fashioned and clumsy. There were curtains still to the windows,



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 and a piece of Turkey carpet lay upon the floor; those windows were two in number, looking out, through the trunks of the trees close to the house, upon the lake. It needed all the fire, and all the pleasant associations of my entertainer's red nose, to light up this melancholy chamber. A door at its farther end admitted to the room that was prepared for my sleeping apartment. It was wainscoted, like the other. It had a four-post bed, with heavy tapestry curtains, and in other respects was furnished in the same old-world and ponderous style as the other room. Its window, like those of that apartment, looked out upon the lake.


Sombre and sad as these rooms were, they were yet scrupulously clean. I had nothing to complain of; but the effect was rather dispiriting. Having given some directions about supper—a pleasant incident to look forward to—and made a rapid toilet, I called on my friend with the gaiters and red nose (Tom Wyndsour) whose occupation was that of a ‘bailiff’, or under-steward, of the property, to accompany me, as we had still an hour or so of sun and twilight, in a walk over the grounds.


It was a sweet autumn evening, and my guide, a hardy old fellow, strode at a pace that tasked me to keep up with.


Among clumps of trees at the northern boundary of the demesne we lighted upon the little antique parish church. I was looking down upon it, from an eminence, and the park-wall interposed; but a little way down was a stile affording access to the road, and by this we approached the iron gate of the churchyard. I saw the church door open; the sexton was replacing his pick, shovel, and spade, with which he had just been digging a grave in the churchyard, in their little repository under the stone stair of the tower. He was a polite, shrewd little hunchback,



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 who was very happy to show me over the church. Among the monuments was one that interested me; it was erected to commemorate the very Squire Bowes from whom my two old maids had inherited the house and estate of Barwyke. It spoke of him in terms of grandiloquent eulogy, and informed the Christian reader that he had died, in the bosom of the Church of England, at the age of seventy-one.


I read this inscription by the parting beams of the setting sun, which disappeared behind the horizon just as we passed out from under the porch.


‘Twenty years since the Squire died,’ said I, reflecting as I loitered still in the churchyard.


‘Ay, sir; 'twill be twenty year the ninth o' last month.’


‘And a very good old gentleman?’


‘Good-natured enough, and an easy gentleman he was, sir; I don't think while he lived he ever hurt a fly,’ acquiesced Tom Wyndsour. ‘It ain't always easy sayin' what's in 'em though, and what they may take or turn to afterwards; and some o' them sort, I think, goes mad.’


‘You don't think he was out of his mind?’ I asked.


‘He? La! no; not he, sir; a bit lazy, mayhap, like other old fellows; but a knew devilish well what he was about.’


Tom Wyndsour's account was a little enigmatical; but, like old Squire Bowes, I was ‘a bit lazy’ that evening, and asked no more questions about him.


We got over the stile upon the narrow road that skirts the churchyard. It is overhung by elms more than a hundred years old, and in the twilight, which now prevailed, was growing very dark. As side-by-side we walked along this road, hemmed in by two loose stone-like



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 walls, something running towards us in a zig-zag line passed us at a wild pace, with a sound like a frightened laugh or a shudder, and I saw, as it passed, that it was a human figure. I may confess now, that I was a little startled. The dress of this figure was, in part, white: I know I mistook it at first for a white horse coming down the road at a gallop. Tom Wyndsour turned about and looked after the retreating figure.


‘He'll be on his travels to-night,’ he said, in a low tone. ‘Easy served with a bed, *that* lad be; six foot o' dry peat or heath, or a nook in a dry ditch. That lad hasn't slept once in a house this twenty year, and never will while grass grows.’


‘Is he mad?’ I asked.


‘Something that way, sir; he's an idiot, an awpy; we call him ‘Dickon the devil’, because the devil's almost the only word that's ever in his mouth.’


It struck me that this idiot was in some way connected with the story of old Squire Bowes.


‘Queer things are told of him, I dare say?’ I suggested.


‘More or less, sir; more or less. Queer stories, some.’


‘Twenty years since he slept in a house? That's about the time the Squire died,’ I continued.


‘So it will be, sir; and not very long after.’


‘You must tell me all about that, Tom, to-night, when I can hear it comfortably, after supper.’


Tom did not seem to like my invitation; and looking straight before him as we trudged on, he said, ‘You see, sir, the house has been quiet, and nout's been troubling folk inside the walls or out, all round the woods of Barwyke, this ten year, or more; and my old woman, down there, is clear against talking about such



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 matters, and thinks it best—and so do I—to let sleepin' dogs be.’


He dropped his voice towards the close of the sentence, and nodded significantly.


We soon reached a point where he unlocked a wicket in the *park-wall*, by which we entered the grounds of Barwyke once more.


The twilight deepening over the landscape, the huge and solemn trees, and the distant outline of the haunted house, exercised a sombre influence on me, which, together with the fatigue of a day of travel, and the brisk walk we had had, disinclined me to interrupt the silence in which my companion now indulged.


A certain air of comparative comfort, on our arrival, in great measure dissipated the gloom that was stealing over me. Although it was by no means a cold night, I was very glad to see some wood blazing in the grate; and a pair of candles aiding the light of the fire, made the room look cheerful. A small table, with a very white cloth, and preparations for supper, was also a very agreeable object.


I should have liked very well, under these influences, to have listened to Tom Wyndsour's story; but after supper I grew too sleepy to attempt to lead him to the subject; and after yawning for a time, I found there was no use in contending against my drowsiness, so I betook myself to my bedroom, and by ten o'clock was fast asleep.


What interruption I experienced that night I shall tell you presently. It was not much, but it was very odd.


By next night I had completed my work at Barwyke. From early morning till then I was so incessantly occupied and hard-worked, that I had not time to think over the singular occurrence to which I have just referred. Behold me, however, at length once more seated at my little



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 supper-table, having ended a comfortable meal. It had been a sultry day, and I had thrown one of the large windows up as high as it would go. I was sitting near it, with my brandy and water at my elbow, looking out into the dark. There was no moon, and the trees that are grouped about the house make the darkness round it supernaturally profound on such nights.


‘Tom,’ said I, so soon as the jug of hot punch I had supplied him with began to exercise its genial and communicative influence; ‘you must tell me who beside your wife and you and myself slept in the house last night.’


Tom, sitting near the door, set down his tumbler, and looked at me askance, while you might count seven, without speaking a word.


‘Who else slept in the house?’ he repeated, very deliberately. ‘Not a living soul, sir’; and he looked hard at me, still evidently expecting something more.


‘That *is* very odd,’ I said returning his stare, and feeling really a little odd. ‘You are sure *you* were not in my room last night?’


‘Not till I came to call you, sir, this morning; I can make oath of that.’


‘Well,’ said I, ‘there was some one there, *I* can make oath of that. I was so tired I could not make up my mind to get up; but I was waked by a sound that I thought was some one flinging down the two tin boxes in which my papers were locked up violently on the floor. I heard a slow step on the ground, and there was light in the room, although I remembered having put out my candle. I thought it must have been you, who had come in for my clothes, and upset the boxes by accident. Whoever it was, he went out and the light with him. I was about to settle again, when, the curtain being a



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little open at the foot of the bed, I saw a light on the wall opposite; such as a candle from outside would cast if the door were very cautiously opening. I started up in the bed, drew the side curtain, and saw that the door *was* opening, and admitting light from outside. It is close, you know, to the head of the bed. A hand was holding on the edge of the door and pushing it open; not a bit like yours; a very singular hand. Let me look at yours.’


He extended it for my inspection.


‘Oh no; there's nothing wrong with your hand. This was differently shaped; fatter; and the middle finger was stunted, and shorter than the rest, looking as if it had once been broken, and the nail was crooked like a claw. I called out ‘Who's there?’ and the light and the hand were withdrawn, and I saw and heard no more of my visitor.’


‘So sure as you're a living man, that was him!’ exclaimed Tom Wyndsour, his very nose growing pale, and his eyes almost starting out of his head.


‘Who?’ I asked.


‘Old Squire Bowes; 'twas *his* hand you saw; the Lord a' mercy on us!’ answered Tom. ‘The broken finger, and the nail bent like a hoop. Well for you, sir, he didn't come back when you called, that time. You came here about them Miss Dymock's business, and he never meant they should have a foot o' ground in Barwyke; and he was making a will to give it away quite different, when death took him short. He never was uncivil to no one; but he couldn't abide them ladies. My mind misgave me when I heard 'twas about their business you were coming; and now you see how it is; he'll be at his old tricks again!’


With some pressure and a little more punch, I induced



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 Tom Wyndsour to explain his mysterious allusions by recounting the occurrences which followed the old Squire's death.


‘Squire Bowes of Barwyke died without making a will, as you know,’ said Tom. ‘And all the folk round were sorry; that is to say, sir, as sorry as folk will be for an old man that has seen a long tale of years, and has no right to grumble that death has knocked an hour too soon at his door. The Squire was well liked; he was never in a passion, or said a hard word; and he would not hurt a fly; and that made what happened after his decease the more surprising.’


‘The first thing these ladies did, when they got the property was to buy stock for the park.’


‘It was not wise, in any case, to graze the land on their own account. But they little knew all they had to contend with.’


‘Before long something went wrong with the cattle; first one, and then another, took sick and died, and so on, till the loss began to grow heavy. Then, queer stories, little by little, began to be told. It was said, first by one, then by another, that Squire Bowes was seen, about evening time, walking, just as he used to do when he was alive, among the old trees, leaning on his stick; and, sometimes when he came up with the cattle, he would stop and lay his hand kindly like on the back of one of them; and that one was sure to fall sick next day, and die soon after.’


‘No one ever met him in the park, or in the woods, or ever saw him, except a good distance off. But they knew his gait and his figure well, and the clothes he used to wear; and they could tell the beast he laid his hand on by its colour—white, dun, or black; and that beast was sure to sicken and die. The neighbours grew shy of



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 taking the path over the park; and no one liked to walk in the woods, or come inside the bounds of Barwyke: and the cattle went on sickening and dying as before.’


‘At that time there was one Thomas Pyke; he had been a groom to the old Squire; and he was in care of the place, and was the only one that used to sleep in the house.’


‘Tom was vexed, hearing these stories; which he did not believe the half on 'em; and more especial as he could not get man or boy to herd the cattle; all being afeared. So he wrote to Matlock in Derbyshire, for his brother, Richard Pyke, a clever lad, and one that knew nout o' the story of the old Squire walking.’


‘Dick came; and the cattle was better; folk said they could still see the old Squire, sometimes, walking, as before, in openings of the wood, with his stick in his hand; but he was shy of coming nigh the cattle, whatever his reason might be, since Dickon Pyke came; and he used to stand a long bit off, looking at them, with no more stir in him than a trunk o' one of the old trees, for an hour at a time, till the shape melted away, little by little, like the smoke of a fire that burns out.’


‘Tom Pyke and his brother Dickon, being the only living souls in the house, lay in the big bed in the servants' room, the house being fast barred and locked, one night in November.’


‘Tom was lying next the wall, and he told me, as wide awake as ever he was at noonday. His brother Dickon lay outside, and was sound asleep.’


‘Well, as Tom lay thinking, with his eyes turned toward the door, it opens slowly, and who should come in but old Squire Bowes, his face lookin' as dead as he was in his coffin.’


‘Tom's very breath left his body; he could not take



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 his eyes off him; and he felt the hair rising up on his head.’


‘The Squire came to the side of the bed, and put his arms under Dickon, and lifted the boy—in a dead sleep all the time—and carried him out so, at the door.’


‘Such was the appearance, to Tom Pyke's eyes, and he was ready to swear to it, anywhere.’


‘When this happened, the light, wherever it came from, all on a sudden went out, and Tom could not see his own hand before him.’


‘More dead than alive, he lay till daylight.’


‘Sure enough his brother Dickon was gone. No sign of him could he discover about the house; and with some trouble he got a couple of the neighbours to help him to search the woods and grounds. Not a sign of him anywhere.’


‘At last one of them thought of the island in the lake; the little boat was moored to the old post at the water's edge. In they got, though with small hope of finding him there. Find him, nevertheless, they did, sitting under the big ash tree, quite out of his wits; and to all their questions he answered nothing but one cry—‘Bowes, the devil! See him; see him; Bowes, the devil!’ An idiot they found him; and so he will be till God sets all things right. No one could ever get him to sleep under roof-tree more. He wanders from house to house while daylight lasts; and no one cares to lock the harmless creature in the workhouse. And folk would rather not meet him after nightfall, for they think where he is there may be worse things near.’


A silence followed Tom's story. He and I were alone in that large room; I was sitting near the open window, looking into the dark night air. I fancied I saw something white move across it; and I heard a sound like low talking



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p.73



 that swelled into a discordant shriek—‘Hoo-oo-oo! Bowes, the devil! Over your shoulder. Hoo-oo-oo! ha! ha! ha!’ I started up, and saw, by the light of the candle with which Tom strode to the window, the wild eyes and blighted face of the idiot, as, with a sudden change of mood, he drew off, whispering and tittering to himself, and holding up his long fingers, and looking at the tips like a ‘hand of glory.’


Tom pulled down the window. The story and its epilogue were over. I confess I was rather glad when I heard the sound of the horses' hoofs on the court-yard, a few minutes later; and still gladder when, having bidden Tom a kind farewell, I had left the neglected house of Barwyke a mile behind me.












